Over the following years, Gripper worked alongside GC recording artist AIM, acting as in house engineer, and adding addtional production. 1998 saw Gripper recording tracks ‘Fame’ and ‘Jazz Cop’ which was licenced worldwide. The Manchester connection also led to Gripper’s ‘World Keeps Turning’ for GC partners Fat City Records, and collaborations with label owner Mark Rae and artists Veba and Kate Rogers.
DJing for Grand Central led to Gripper’s remix skills being called upon by several independant UK and US Hip Hop artists (Don Q, The Slum Brothers, and Little Egypt), and engineering duties on long time friend and associate AIM’s remix and album tracks. This helped feed Gripper’s two obsessions of vinyl hoarding and DJing, resulting in gigs both nationwide and also in Europe, Africa and New York. Gripper’s track ‘Turtleneck’ was commissioned by sportswear giant Nike to publicise the launch of their Athlete MP3 player.
The Millenium closed with Gripper refocussing on the Loose Joints label and putting out some tapes of new house material. Personal calls from Louie Vega in the middle of the night, and licencing offers from MAW ensued, only to dissolve when the original owners of a sample used in the track refused to allow it's use.